Studio Artz

Studio Artz News

Happenings at Studio Artz

Jackie Winsor

Artist Jackie Winsor died yesterday. This is how she looked when I was her studio assistant for a semester my junior year through an internship program at Oberlin College. It was the eighties and she was a beautiful, cool, force, as is her work. Peaceful, strong, self-assured. Through her I was exposed to a macrobiotic diet, the EST program, and Bill Frisell. She introduced me to sesame noodles, which I was regularly and happily tasked to fetch on the Lower East Side. We loved them. 

I first learned of her work through Oberlin's Allen Art Museum. It has a terrific collection which includes Jackie's "Four Corners". I was taken with it, the physical nature of it. She fit in with the minimalists of the time but I feel so much more soul in her work than other minimal work of that era. 

I’ll never forget first meeting her at her loft on Prince Street. She shouted down at me on the street from the window something about the faulty elevator. After many long flights straight up I was warmly welcomed with a radiant smile and her dogs, Spitty and Foxy. We sat at her table where she had just opened a box of cobalt blue powdered pigment. “You mean it just came in the mail like that!?” I was thrilled and felt an immediate kinship. 

For the entire semester, I worked on one sculpture in her dark studio that looked more like a woodworker’s shop with a plethora of power tools and small useful gadgets. The piece was another signature cube with small square openings in the center of all sides. The outside was white and the inside was an intense orange. My job was to file edges cleanly. I think this is the piece that started as a cube and eventually opened and hung as a cross. Cameras were heavy and expensive back then, especially for a college kid. I regret not having one photo from that time. Thankfully the memories are still clear.  She was very particular and demanding. I was exhausted at the end of most days but I loved what we were making and I loved her commitment to art. There was nothing else.

I met up with her those early years after college while living in or visiting NYC but communication eventually became less frequent. I last spoke to her during COVID. She was still living in her loft and had some health issues. That didn’t stop her from chatting away. Per usual, I listened for over an hour or so to whatever was on her mind. I’d interject now and then to make her laugh — so satisfying to hear that laugh. 

Through her work, she leaves behind a strong clear presence. A vibrant woman I was lucky to know.
Peace Jackie.

Ann Artz
Color Matters

Sarah, Dennis, and I are having our first group show at the Carmel Art Association this September. We're friends who gather regularly for studio visits so it's about time!

To prepare we first met at Dennis’s to discuss our intentions and to see what Dennis had been making. Loads of work! Sarah and I were relieved. If we come up short, it can be the Dennis show with a side of Sarah and Ann : )

It’s been several weeks since that first meeting and we're having a blast making new work. See the strips of details below. Can you guess which is mine?

Though our work differs from each other's, we hang together well and are excited to adorn the gallery walls. More photos to come. The show opens Sept. 3rd and the reception is Sept 14th, 4-7pm.
 

Dolores Street between 5th & 6th, Carmel, CA | www.carmelart.org

Ann Artz
The Mini Show is Up!

In celebration of the Carmel Art Association’s 97th Anniversary, the Annual Miniatures Raffle is on! Each year, the CAA Artist Members create unique pieces using 6x6 inch wood panels. On display are 88 miniature masterpieces and you have the chance to take one home.

Purchase raffle tickets at the gallery or receive free tickets by becoming an Associate Member (just $35). After purchasing your tickets, you can play in person or view the artwork on the website and call the gallery (831.917.2520) to make your selections. These are the two I contributed of a place I love — the Carmel River beach. See the full array here! Good luck!

Ann Artz
Nonattachment

Attachment: Chateau Orquevaux

I love this place! I love these people! Orquevaux is a small village in northeastern France and the home of the Chateau D'Orquvaux Artist Residency, founded in 2017. Originally a hunting lodge, the chateau is situated on 40 plus acres of stunning gently rolling landscape and includes a waterfall, swings, swimming hole, and animals — goats, chickens, geese, and muskrats, something I had never seen. I spent two weeks working on my art without another care in the world. Heaven.


Nonattachment

The Buddhist notion of nonattachment relates to an engagement with experience with flexibility and without fixation on achieving specified outcomes. This suits my understanding of my reaction to a recent occurrence. At the end of my residency, I rolled up 5 paintings and shipped them back to myself. Some were done, some were in progress. This one I especially loved. Most of the art in my house are works I've bought from other artists. One of my goals in France was to paint something to hang at home and this was the one.

The tightly wrapped tube, with a tremendous amount of customs-related paperwork taped on it, arrived. Off to the studio! I wanted to unroll the canvases and see it all again. I threw the tube in the car. When I went to remove it I saw it was empty. No art. One extremely well-sealed end was removed. 

My head sunk for about three seconds and then that was it. I am free. My lovely memory of making the painting is visceral. I can go there any time.

Ann Artz
Mallorca Majorca

Mallorca Majorca

It's a heavenly spot either way you spell it. I was lucky enough to spend last week in this beautiful corner of the world assisting Nicholas Wilton during an art workshop at La Serrania, a peaceful mountain retreat center. A small group of strangers from Europe and the states gathered to tell our stories, paint, dance and laugh, making fast friends of us all.

Nourished by excellent food and wine, a medley of personalities and creative styles unfurled over the days in this serene setting where we felt both nurtured and free. By week's end, we saw each other more clearly through our art. Boy it was fun!


Fresh Paint

Everyone came to the workshop with open minds and fearlessly pushed beyond their own boundaries. It was exciting to see the distinct visual voices emerge. We worked on 12" x 12" panels. It's a comfortable size for trying new things, moving in any direction quickly. Here are a few of mine — some finished, some in progress. Got a favorite? Would love to hear.

A

B

C

D

 
Ann Artz
It's Been Awhile

…since my last email and I’ve been to Amsterdam! 

Visited this lovely city for first time last fall. Loved exploring museums, restaurants, cafes and gorgeous streets. Van Gogh, Rembrandt, Vermeer, Anne Frank's House. Spent one day walking nine hours. Was completely lost for only one of them. Went to the same cafe three times — charmed by the lovely staff and well-nourished by flavorful pastas. 

Ann Artz
Swept Away

Swept Away to Alabama

Location, location, location. I'm grateful to Travis, of Travis Hall Fine Art (Carmel) for giving this piece prime positioning in the gallery's front window. It quickly sold to a new collector and will be shipped to Alabama this week. The painting, which evolved slowly over a month or two, was based on the small sketch below but I lost my way. Turning it upside down provided a new direction. I enjoyed living with this one for a time. I'm happy to know someone else will now.

Swept Up  60x48, oil


Huddle 20x20, acrylic

New Work

Wide open space is a comfort in life and in art. Ignoring that fact, I started in the middle with this one. Before long, there was little room left. The shapes relate like family, joined together for a group hug. A satisfying challenge, though I've already returned to more spacious compositions. Coming soon!


 Flying Solo I, II, III  24x68, acrylic and charcoal

Ta da!

Remember these? If you saw my last email, you saw these in progress. Here's where they landed. I've always loved narrow vertical formats but have never tried them. I draw vertical lines in any work, so working on these felt natural. They were the last works to finish before my show opened in the summer at the Carmel Art Association. Because all else was ready for the show I savored a final week to approach this exciting shape freely. 

Ann Artz
Getting Close!
 

My latest paintings in small, medium and large will be up at the Carmel Art Association for the month of June. This show coincides with the inaugural show for two new CAA members. Join us for the reception on June 10th, 4pm-7pm. Should be a lively event!

Work in Progress, Clock Ticking

These three 24" x 68" panels are still in progress. I am heading to the studio now in hopes of finishing in time for the show. Getting there!

Ann Artz
Play to Win

The Weir and The Marsh, oil on 6" wood panel

Celebrating the Carmel Art Association's 94th anniversary, the CAA's Miniature Raffle is on now through August 30th. Tickets can be purchased in person at the gallery or over the phone: 831-624-6176. CAA Artist Members painted two miniatures each. See them all. Come to the gallery or call with a credit card number and tell us where to place your tickets. You don't need to be present to win. Winning works can be shipped if you live out of the area. Tickets are $5 each or 5 for $20. New and current associate members receive 10 free tickets! Join CAA for only $35. Good luck! 

Ann Artz
The Big Reveal

We had a great turn-out at a mask-free reception before The Hearts of Carmel were unveiled in select locations throughout downtown Carmel! 10 enormous hearts, 10 local artists, lots of Love for Carmel. I painted one of the hearts in my studio and it was then picked up and sealed with a protective coating and placed on the lower level of the Carmel Plaza. As I worked on this heart I kept in mind that this would be a public work of sorts and thus I made one side (top) a little more beachy and "accessible." The other side shown below is a more typical reflection of my work. Do you have a favorite side?

Devised by Leadership Carmel, the project will help celebrate the return of life and hope to Carmel-by-the-Sea. Love is always the bridge to connection…to community. These will be on display for the summer and auctioned off at summer's end to benefit youth groups in our community. I'm so grateful to have been involved!

Ann Artz
Artist Membership


June 5, 2021

I'm delighted to share that I've been juried in as a new Artist Member of the Carmel Art Association! The Carmel Art Association is composed of local artists who are selected by their peers. Founded in 1927, it is one of the oldest operating non-profit artist cooperative in the United States. The Association exists to provide its members with a permanent art gallery, to advance knowledge of, and interest in the arts, and to create a spirit of cooperation and fellowship among artists and the community. I am thrilled to be included in the New Member Show which opens in June!

Ann Artz
Forever Home

Earlier this month I completed two paintings commissioned by new collectors based in Southern California. Before I began the work, I was excited to learn they would be going on a gray wall as it meant I could use the pale pinks and whites I've been loving lately. I painted the same gray on my studio walls which helped me work out the palette while keeping the paintings light. A gray wall is so striking and these two works look right at home. (36" x 36" acrylic on canvas)

Ann Artz
Art 55

Art 55 is a group of 55 emerging and established artists from Europe, North America and Australia committed to excellence in artistic expression. Despite our distances, we have been sharing our work with each other through social media since 2018, offering feedback, and encouragement as well as just sharing our lives. I designed our logo as well, and was amazed at how we all easily we all agreed to one of the 4 options offered. It is a sweet and remarkable group I am so happy to be a part of!

CONNECTIONS, our first online show, explores interrelatedness within the cosmos, nature, community, family and ourselves. During this unprecedented and isolating pandemic our curated show presents a collection of thoughtful, inspiring and healing works of art. Click above to see the show.

Ann Artz
A Moment of Reflection

I'm happy to share that “The Summer Before” has been selected for “A Moment of Reflection” at the Mill Valley O'Hanlon Center for the Arts, juried by Emebet Korn of Desta Gallery. This is the first in-person exhibit at the O’Hanlon Center for the Arts since Covid began. (Note: appointments need to be made to visit.) It was refreshing to deliver my piece in person to meet juror herself, and see the installation in progress! This nicely curated and restful show opens today and runs through March 19. See the show!

2055 The Summer Before copy.jpg
Ann Artz
Exposure

Excited to announce my participation in Studio 10, a virtual pop-up art show featuring 10 contemporary artists from New Zealand, Spain and across the USA. The show debuts a selection of 10 original abstract paintings (one from each artist) for collectors of all levels. The exhibit begins on November 27 and runs through December 6th. The big reveal is on the 27th. I’ll post a link to Studio 10 then so you can check out my newest piece and the incredible work of the other 9 artists!

 
Studio 10.jpg

I'm very happy to announce my work will be included into the following exhibitions.

2002-Fly-Me-to-The-Moon.jpg
2037 After the Fair.jpg

Fly Me to the Moon
Fragments | Arc Gallery | San Francisco
Juried by Jen Tough. See the show.

After the Fair
Crocker Kingsley juried exhibition
Blue Line Arts, Roseville CA
Show runs January 8 – February 20, 2021

 
Ann Artz
Above the Fold?
PC fake cover.jpg

Nah, don't be fooled, I didn't make the cover of the Carmel Pinecone, but I am featured in an artist profile in this week's edition thanks to staff writer Dennis Taylor. Always fun to reminisce on various experiences and nice to get the exposure!

Ann Artz
A Terrific Show!
unnamed-1.jpg

Excited to share that “Good Trouble” has been accepted into the 2020 International Juried Exhibition curated by esteemed juror, Julie Nester, owner of Julie Nester Gallery (Park City Utah). This selection of 50 works, chosen from 3,322 submissions, represents a terrific body of work including emerging, as well as established contemporary artists. I am thrilled an honored to be included!

Good Trouble. 40 x 60 oil on linen

Good Trouble. 40 x 60 oil on linen

Ann Artz
Think Big
s2 copy.jpg

If not during a pandemic & the collapse of democracy as we know it, then when? Introducing my new bigger studio! Two freshly painted walls, yes! New flooring, yes! Natural light, tons! Located in downtown Carmel at the Church of the Wayfarer, a sweet building featuring beautiful crank windows, ample ventilation, and a cheerful community. So grateful. If you are in the area, feel free to contact me for a studio visit. Big paintings to come but slowly, they take more time. Shape your life—it’s still yours.

SA4.jpg
SA12.jpg
Ann Artz
Living Large in LA
GdTrouble.jpg

Jenny K. of LA found my work on Instagram and sent me a brief email, "I am interested in purchasing your art. I’m in Carmel for the week..." And boy, she meant it! I am thrilled to share this painting with a new collector. It looks great hanging in the room Jenny describes as the main family gathering spot.

While most new paintings stay at the studio, I've wanted to live with this one for the past months. Working on it has been an emotional ride. A large painting such as this (40" x 60") can take time to resolve — weeks or months. This has had many lives, some more calm and resolved than others (see below). There were probably 8 versions in all and points at which I could have called it “done” but this one kept pushing me. This final version was painted during the days of tragedy and chaos in Minneapolis in early summer. More charged with deeper reds and impulsive gestures, it now can live as is. I am so grateful that "Good Trouble" resonates with Jenny & family.

EVOLUTION2.jpg
Ann Artz
Art Therapy
 
Buildings 1.jpg
 
 

I can’t watch the news anymore. The chaos leaves me listless. Painting is a great alleviator. Mixing colors and spreading paint is pure pleasure in itself. When I get to the studio lately, there is no plan. Just a desire to make something. So I’m bouncing around in subject, size and materials. It’s been fun and therapuetic.

I’m finding comfort creating kitchen art — simple compositions with clear delineation of space. Surprisingly, creating simplicity takes lots of focus and thoughtful decision making, especially when it comes to color. But you also have to quiet the mind and let your intuition roam.

See more kitchen art other new work.

Ann Artz